Showing posts with label dancer. Show all posts
Showing posts with label dancer. Show all posts

Tuesday, July 10, 2012

Sketching at The English National Ballet School (III)

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These are the rest of the sketches that during the Ballet rehearsal sessions.  The connection with the dancers and the whole experience of being there live and sketching moving people is what I cherish! It's one of those exercises that a sketcher longs for. One thing that is common in all these sketches is the oval head sketched on almost all the pages. It is also just a good thing to have sketched, so many oval heads on the sheet while trying to figure out how to sketch the different movements. But no matter what technique I tried to use, it always dawned on me that this was beyond my reach. It was humbling but reassuring at the same time.

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SPECIAL QUOTE
"Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality"-Edgar Degas

Wednesday, July 04, 2012

Sketching at the English national Ballet School (II)

This is the second batch of sketches I did. This one and last batch were done in graphite. Sometimes I try my best to experiment but I always see myself coming back to the medium I love the best, which is graphite.


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I had a technique for doing these sketches that helped me move a little faster without being so messy and inaccurate. This was to make sure I waited patiently for the poses to come up, I then made a  mental picture in my mind of the different sequences they kept returning to, so while sketching it was easy to just add a leg or hand to an already sketched torso.  The torso was the kind of common denominator.




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SPECIAL QUOTE
"People call me the painter of dancers, but I really wish to capture movement itself."- Edgar Degas


Monday, July 02, 2012

Sketching At the English National Ballet School (I)


These are some sketches I have done at the English National Ballet School, Hortensia Rd Chelsea. I first had the opportunity to sketch there while studying Portraiture at The Heatherley's School of Fine Art, from 2003-2005. I really enjoyed the experience then and that's why I applied more recently to sketch there again.

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To sketch constantly moving dancers is not an easy experience, it's far different form the people I sketch on the train, even though the train is moving. This was a real test of  pure observation and speed. One just has to be alert and be content with whatever comes out of it.

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This is part 1 of a three part post on these sketches of ballet dancers.

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I have used Tom Bow Dual Wash pens for these sketches in an A3 Sketchbook.

Adebanji  Alade sketching at  English National Ballet School


SPECIAL QUOTE
While sketching the Ballet dancers I heard the Tutor say to the students, "If you don't work to your maximum  everyday, you'll remain at the same level for years"

Thursday, March 11, 2010

FLAMENCO SERIES I, Oil on Canvas Board, 8" x 8", 2010

This is a new series I'll be embarking on. My goal is to experiment with movement, texture, mood, energy, vitality and emotion-all of which would be the highlights in this series of drawings and paintings.



The inspiration for this series has come from Brian's St Louis Drawing Blog. He had an interesting post on a Flamenco dancer, Beth Steinbrenner to not only model for them but also dance while modelling. Now that's a great opportunity! I asked Brian if I could produce a series of drawings and paintings from this video clip and he agreed.



Detail of FLAMENCO I



This is the first of the series and I did this in oil with an impasto-flick technique. I tried to keep it all a bit abstract because that's the feel a dancer would have before one's eyes in motion, nothing is really clear. But I hope to add more variety of pose and media in the upcoming ones.

Hope to keep this series going and also another one on ballet dancers soon. I'll keep you updated.